The Epic 2017 Project #172: 170621
Massive Attack – Protection (1994)
So, for mid-summer’s day 2017 we have Massive Attack’s second studio album, released in 1994 and the last to feature Tricky as a member after going solo with his album Maxinquaye in 1995.
Protection was featured in the top ten of Rolling Stone magazine’s ‘Coolest Albums of All Time List’, calling it “great music for when you’re driving around a city at 4 am,” due to the ‘chill out’ nature of the album. Like most of Massive Attack’s albums, the music often defies categorisation, ranging from R&B to hip hop/rap (like Karmacoma) to reggae-tinged synthpop to classical-influenced electronica instrumentals like ‘Weatherstorm’.
The album follows Blue Lines structurally, to the point that the font used on the cover of the album is the same, Helvetica Heavy Italic.Now there’s a useless bit of information to weave into conversation!
The Epic 2017 Project #171: 170620
Massive Attack – Mezzanine (1998)
Massive Attack’s third album, released on 20 April 1998 by Circa and Virgin Records. It was the first album to be produced by Neil Davidge, along with the group. The entire album was provided on their website for legal download many months before the physical release was announced, one of the first major uses of the MP3 format by a commercial organisation.
Mezzanine topped the charts in the United Kingdom, Australia, Ireland, and New Zealand, becoming the band’s most commercially successful album. It saw the band expanding their trip hop sound to electronica stylings with diverse influences from rock, hip hop and dub genres.
The Epic 2017 Project #170: 170619
Massive Attack – Blue Lines (1991)
Blue Lines is the debut studio album by English trip hop group Massive Attack, released on their Wild Bunch label through Virgin Records on 8 April 1991. A remastered version of the album was released on 19 November 2012.
The Epic 2017 Project #163: 170612
Leftfield – Leftism (1995)
Three anecdotes about this album. First anecdote – we caught the band on the first leg of the Leftism tour in Brighton on the year of its release. Two things about that gig; (1) it started at 02:00 in the morning – after the preceding three hour DJ set! and (2) when the bass hit it you – it hit you! It was a tangible thing – like a pressure wave. First (and to be honest) only time I’ve experienced that. Second anecdote – the band have just this year released a remastered version of Leftism as a double album; Leftism in all its remastered glory and Leftism as done by a host of respected other artistes and DJs including Quiet Village, Ben Sims, Dungeon Meat and Skream. I have both the original and the new one of course. Third anecdote – for around 11 years from the late 1990’s I played in a South Coast based samba band called Beach Bateria. Amongst our repertoire was a number called ‘Song of Life’ which was loosely based around the rhythm part of the Leftfield song and a sample I’d taken (and embellished) from the track.
Leftism, the first studio album from Paul Daley and Neil Barnes aka Leftfield was first released in January 1995 on Columbia Records. It contained a mixture of new tracks along with reworked versions of previous Leftfield singles together with guest spots from musicians not associated with dance music at the time such as John Lydon from Public Image Ltd. (and formerly of Sex Pistols) and Toni Halliday from Curve.
The Epic 2017 Project #150: 170530
The Knife (2001)
The Knife is the self-titled debut album by Swedish electronic music duo The Knife, released on 5 February 2001 by Rabid Records. The album’s recordings started early in the summer of 1999 in a cottage on the Swedish island of Tjörn. The duo also recorded it in their flats in Gothenburg and Stockholm, and in a rehearsal studio in the Hökarängen district of Stockholm.
On 31 October 2006, Mute Records released this and The Knife’s second album, Deep Cuts, in the United States, marking the first Stateside release of both titles.
The Epic 2017 Project #088: 170329
Fluke – Risotto (1997)
Risotto was Fluke’s fourth album, released on 26 May 1997 on Circa Records and 30 September on Astralwerks.
Many of the tracks that brought Fluke to a larger audience are featured on this album, including “Atom Bomb”, used on the Wipeout 2097 (game) soundtrack, and “Absurd,” used in many films/trailers, including a 1998 Volkswagen Beetle commercial, Sin City in 2005, and the episode “Chaos” from the show “Spaced”.
The album artwork was designed by The Designers Republic and features a chrome-plated KitchenAid blende
The Epic 2017 Project #081: 170322
Fatboy Slim – Palookaville (2004)
Good to have some local flavour in this series. So here’s one from Fatboy Slim who technically lives in Shoreham. I say technically because his house is in ‘millionaires row’ on the beach at the eastern end of Shoreham Harbour – some 5-6 miles from Shoreham town itself. However, he’s still a local boy.
Palookaville was his fourth studio album released on 4 October 2004, approximately four years after the previous one. Football club Brighton and Hove Albion F.C. temporarily named their Withdean Stadium after it following their sponsorship deal with Skint Records. The album was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.