The Epic 2017 Project #151: 170531
Knock Kneed Sally – Never a cold shoulder (2009)
Not much I can say about this lot. Just some god ol’ solid rhythm n blues from the Midwest.
The Knife is the self-titled debut album by Swedish electronic music duo The Knife, released on 5 February 2001 by Rabid Records. The album’s recordings started early in the summer of 1999 in a cottage on the Swedish island of Tjörn. The duo also recorded it in their flats in Gothenburg and Stockholm, and in a rehearsal studio in the Hökarängen district of Stockholm.
On 31 October 2006, Mute Records released this and The Knife’s second album, Deep Cuts, in the United States, marking the first Stateside release of both titles.
Fourth studio album from this American alternative rock outfit, released worldwide in September 2008. Writing for the band’s fourth album commenced just days after the release of their third, Because of the Times. The album was recorded by producers Angelo Petraglia and Jacquire King through February 2008 in Nashville’s Blackbird Studios.
Only by the Night experienced commercial success, peaking inside the top 10 of over 10 different countries. The album was certified the best-selling album in Australia, certified nine times platinum. It also went on to be the highest selling album of 2008 in Australia, the third best selling album of 2008 in the UK, winning two Brit Awards, and the 18th best-selling album of the 2000s in the UK. Two singles from the album have also found high chartings, “Sex on Fire” coming in at number one in Ireland, the UK, Australia, and on the United States’ Hot Modern Rock Tracks, and at number two in New Zealand. The album’s second single “Use Somebody” also charted at number two in the UK, and at number two in Australia, along with being the band’s first top 10 hit in the U.S. The album was nominated for Best Rock Album at the 2009 Grammy Award with the song “Sex on Fire” receiving two nominations itself.
Fifth studio album from the German heavy metallists.
The small town where I live in Sussex, UK used to be graced by an equally small record shop – ‘Atomic Sounds’. Sadly, it’s no longer with us but, in its heyday, I’d spend most Saturday mornings there, browsing through the eclectic selection of new and back-catalogue stuff on offer.
One Saturday Elvis Presley was playing over the stereo. At least that’s what I thought; it’s just that something wasn’t quite right. Elvis seemed to be covering (and rather well, I might add) ‘Pretty Vacant’ from the Sex Pistols. And there laid the rub. Theoretically possible as the Sex Pistols released it in July 1977 and Elvis didn’t pass on until three weeks or so later on 16 August. But the King would have had to have been unbelievably sharp off the mark and it just didn’t quite jell as to why he’d bother. Just didn’t seem to be his style at all.
Duly puzzled, I asked the owner who immediately confirmed that it was indeed The King on the stereo. “Seriously?” I replied, “Elvis covered the Sex Pistols?” “Of course not!” Tony replied, “But the King did!” And there laid my introduction, as well as sealing which album I’d buy that day.
Jim ‘The King’ Brown hails from the bad end of Belfast. An ex-postal worker, he’s acclaimed as one of the greatest Elvis tribute acts working today. Backed by a stunningly talented band (The Questionnaires), The King takes the Elvis tribute to a whole different level covering the likes of Led Zeppelin, The Rolling Stones, Queen, Lynryd Skynryd and, of course, the Sex Pistols.
The second album from Carole King, released in 1971 on Ode Records and produced by Lou Adler is one of the best-selling albums of all time, with over 25 million copies sold worldwide. It received four Grammy Awards in 1972, including Album of the Year. The lead single from the album — “It’s Too Late”/”I Feel the Earth Move” — spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts. And in 2003, Tapestry was ranked number 36 on Rolling Stone’s list of the 500 greatest albums of all time
I discovered King Size Slim late last year when he supported ‘Son of Dave’ on the Brighton leg of his current tour.
Using just a metal bodied dobro guitar and no other accompaniment than the stomp of his boot on the floor, the man started his set by suggesting he dispense with the amplification and just get down and dirty with the audience. So that’s what he did.
What followed was 40 minutes of heaven culminating in this barnstormer to which you cannot help but sing along. In fact – it’s an essential.
‘May we find’ comes from King Size Slim’s second album released independently in 2015.