The Epic 2017 Project #140: 170520
Kid Creole & The Coconuts – Wonderful Thing (2000)
Infamous now for taking the UK to the winning slot in the 1997 Eurovision song contest with ‘Love shine a light’, Katrina & the Waves formed back in 1981.
Their biggest commercial success came with this, their third studio album, released in 1985. The majority of tracks were re-mixed and overdubbed versions of songs that had appeared on their first two albums, but “Walking on Sunshine” and “Going Down to Liverpool” were entirely re-recorded versions of songs from their first independently released album.
‘Walking on Sunshine’ became an overnight international success on it’s re-release, but it was originally written by Kimberley Rew for Katrina and the Waves’ 1983 eponymous debut album. The re-recorded version was the second single from the self-titled third album, reaching No.4 in Australia, No.9 in the United States, and No.8 in the United Kingdom. It was the Waves’ first US top 40 hit, and their biggest success in the United Kingdom until “Love Shine a Light” in 1997.
Royalties from airplay and advertisements of “Walking on Sunshine” have been extremely high. Katrina and the Waves kept the publishing rights and the royalties that typically go to the songwriter have been divided among the band members. Estimates are that the song has earned at least $1 million per year for the ten years ending in 2010. According to a former employee of EMI, “Walking on Sunshine was the crown jewel in EMI’s catalog,” and that it was one of EMI’s biggest earners from advertisers.
In August 2015, the song was acquired by BMG Rights Management for £10 million, along with all the other songs written by Kimberley Rew and Katrina and the Waves.
Kick is the sixth studio album by the Australian rock band INXS, released in 1987 by WEA in Australia, Atlantic Records in the United States and Phonogram Records in the United Kingdom on Audio CD, Compact Cassette and Gramophone record. As the band’s most successful studio album, it is certified six times platinum by the RIAA, and spawned four US top 10 singles, “New Sensation”, “Never Tear Us Apart”, “Devil Inside” and “Need You Tonight”, the last of which reached the top of the Billboard singles charts. At the 1988 MTV Video Music Awards, the band took home five Moonmen for the “Need You Tonight”/”Mediate” video.
The album was produced by Chris Thomas and recorded by David Nicholas in Sydney, Australia, and in Paris, France. The album was mixed by Bob Clearmountain at Air Studios in London.
I have a claim to fame with Peter Gabriel. He was on the 1978 Knebworth festival line-up and, part-way through his set, decided to leap off the stage and walk up the fenced-off security channel which led from the mid-field sound desk to the stage.
The band continued playing, he continued singing and a significant part of the 300,000 strong crowd surged. And, as our pitch was around 50 yards back from the stage against the security fence. Well…you can put two and two together as to what happened next!
Cut a long story short – when the man got to where we were he made matters worse by climbing on top of the fence to finish the number. Whilst up there, his balance was provided by my rucksack which was propped against the fence. One foot crushing all inside, one foot on fence, crowd mayhem. End of.
Almost. Because later on we discovered that the bit of my rucksack Mr Gabriel had crushed had contained a tub of margarine. Which was by then of course, spread over everything else. Clothes, camera, food etc. Thanks Peter!
Anyway…that’s got nothing to do with ‘So’ which came out some 7 years later and is rather good. Particularly Sledgehammer…
Largely recorded in Paris, with additional recording in Detroit and Los Angeles, the Eurythmics’ fifth album saw a move away from their previous more experimental, synthesizer-based songs, to a more commercial pop/rock sound. Combining elements of Motown and rock music, the album incorporates a more traditional band line-up/instrumentation. Nonetheless, the recordings still possessed an atmospheric and cutting edge sound, winning Stewart awards for his production work on the album. The release of the album also coincided with a new look for singer Annie Lennox, who ditched the androgynous look of the previous albums and became, in biographer Lucy O’Brien’s words, “a bleach-blonde rock ‘n’ roller.” Be Yourself Tonight included guest appearances by notable artists such as Aretha Franklin, Stevie Wonder, and Elvis Costello.
‘Love you like a ball and chain’ is one of my top ten tracks of the eighties. The ‘oomph’ factor here is second to none.
Released in July 1987 on Columbia Records, Mr D’Arby’s debut became an instant number one smash in the UK, spending a total of nine weeks (non-consecutively) at the top of the UK Albums Chart. It was eventually certified 5 x Platinum (for sales of 1.5 million copies). Worldwide, the album sold a million copies within the first three days of going on sale. Success was slower in the U.S though. Released there in October 1987, it eventually peaked at number four on May 7, 1988 – the same week that the single “Wishing Well” hit number one on the Billboard Hot 100.
Other singles from the album included “If You Let Me Stay”, which was a top ten hit in the UK, and “Sign Your Name”, which reached #4 on the U.S. Billboard Hot 100 and #2 in the UK. A fourth single, “Dance, Little Sister”, reached the UK Top 20 as well.
I bought the album on vinyl when it first came out in the UK, primarily because it’s release was just 5 months after my eldest daughter’s birth – her first summer – and ‘If you all get to heaven’ was a song I just couldn’t get out of my head. Still can’t.
The Sky’s Gone Out was released in October 1982 by record label Beggars Banquet.
The initial limited edition of the LP included the live album Press the Eject and Give Me the Tape as a bonus. The compact disc reissue of the album dropped the run-out audio from the final track “Exquisite Corpse” and the vinyl edition contains a short recording of drummer Kevin Haskins reading from the play Baal. The Canadian edition of this album also contained a free 12″ vinyl single featuring “Ziggy Stardust”, “Kick in the Eye” and “Lagartija Nick”. This version did not have the distinctive artwork from the US and UK editions, but was instead an enlargement of the cover art from the “Terror Couple Kill Colonel” single.
Suffice to say that I’ve got the original vinyl release complete with the live album. And (although not pictured here) I’m also really proud to have a very limited edition and numbered pressing of the 1983 double vinyl ‘Best Of (1979-1983). Only 500 of these numbered versions were printed. Mine is No. 467.